The Max's strength lies in multitimbrality: 6 voices, 6 oscillators and even 6 VCF's! However this synth has too many limitations on basic needs: cheap construction and parts; editing requires an external software editor and a Commodore 64 (or Macintosh, see Patch Files below); there are no real-time performance controls - not even pitch bend or modulation wheels; too many presets (80) but far too few user patches (20). The preset sounds consist of basic organ, string and brass type sounds, but exploring this analog synth can lead to some cool sounds. The VCF, VCA and VCO sections all have separate ADSR envelope generators. The LFO can control the VCO, VCF or VCA. A nice touch are the two separate on-board sequencers - sort of a Sequential tradition.